23 Margaret Qualley Movies & Shows Ranked (Honey Don’t!)
(Photo by Focus Features/ Courtesy Everett Collection. HONEY DON’T!)
We’re ranking the films and shows of Margaret Qualley! The guide begins with Qualley’s Certified Fresh projects, including Oscar-winning body horror The Substance, limited series Maid, and breakthrough Once Upon a Time in Hollywood.
Those are followed by Fresh movies and series, like The Leftovers, where Qualley appeared across its three seasons, Happy Gilmore 2, and Drive-Away Dolls, the first of Ethan Coen & Tricia Cooke’s lesbian B-movie trilogy.
Finally, there’s Qualley’s Rotten-rated material, which includes Netflix’s live-action anime adaptation of Death Note, and Dolls follow-up Honey Don’t!.
#1
94%
87%
Critics Consensus: Maid takes great care with its sensitive subject matter to craft a drama that is not always easy to watch, but undeniably powerful, grounded by an outstanding performance by Margaret Qualley.
#2
(2023)
92%
80%
Critics Consensus: Wildly imaginative and exhilaratingly over the top, Poor Things is a bizarre, brilliant tour de force for director Yorgos Lanthimos and star Emma Stone.
Synopsis: From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a
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#3
(2016)
91%
79%
Critics Consensus: The Nice Guys hearkens back to the buddy comedies of a bygone era while adding something extra courtesy of a knowing script and the irresistible chemistry of its leads.
Synopsis: Holland March (Ryan Gosling) is a down-on-his-luck private eye in 1977 Los Angeles. Jackson Healy (Russell Crowe) is a hired
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#4
(2024)
89%
76%
Critics Consensus: Audaciously gross, wickedly clever, and possibly Demi Moore’s finest hour, The Substance is a gasp-inducing feat from writer-director Coralie Fargeat.
Synopsis: Have you ever dreamt of a better version of yourself? You, only better in every way. You should try this
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#5
(2022)
88%
84%
Critics Consensus: Revolving around outstanding performances from Margaret Qualley and Christopher Abbott, Sanctuary confounds expectations with élan.
Synopsis: Set over the course of one night in a single hotel room, “Sanctuary” tells the story of a dominatrix (Margaret
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#6
(2019)
86%
70%
Critics Consensus: Thrillingly unrestrained yet solidly crafted, Once Upon a Time in Hollywood tempers Tarantino’s provocative impulses with the clarity of a mature filmmaker’s vision.
Synopsis: Actor Rick Dalton gained fame and fortune by starring in a 1950s television Western, but is now struggling to find
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#7
(2017)
86%
68%
Critics Consensus: Led by a gripping performance from Melissa Leo, Novitiate grapples uncompromisingly — and ultimately compellingly — with questions of faith and feminism.
Synopsis: Spanning over a decade from the early 1950s through to the mid-60s, NOVITIATE is about a young girl’s first initiation
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#8
(2020)
71%
61%
Critics Consensus: No consensus yet.
Synopsis: New York in the 90s: After leaving graduate school to pursue her dream of becoming a writer, Joanna (Margaret Qualley)
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#9
91%
90%
Synopsis: In a global cataclysm, “The Sudden Departure,” 140 million people disappeared without a trace. Three years later, residents of Mapleton,
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#10
81%
83%
Synopsis: Spanning five decades, “Fosse/Verdon” explores the singular romantic and creative partnership between Bob Fosse and Gwen Verdon. Bob is a
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#11
(2019)
73%
18%
Critics Consensus: Much like its well-meaning but clueless protagonist, Adam occasionally seems to be in over its head — but its good intentions make those fumbles easier to forgive.
Synopsis: Awkward teen Adam spends his last high school summer in New York City with his sister, Casey, who throws herself
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#12
(2024)
71%
50%
Critics Consensus: A cold-hearted triptych brimming with caustic wit, Kinds of Kindness is Yorgos Lanthimos at his most misanthropic — and bitingly funny.
Synopsis: KINDS OF KINDNESS is a triptych fable, following a man without choice who tries to take control of his own
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#13
(2024)
64%
37%
Critics Consensus: The appealing odd-couple chemistry between Margaret Qualley and Geraldine Viswanathan helps Drive-Away Dolls power past its overly familiar screenplay and erratic execution.
Synopsis: Written by Ethan Coen and Tricia Cooke, this comedy caper follows Jamie, an uninhibited free spirit bemoaning yet another breakup
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#14
(2025)
63%
66%
Critics Consensus: With Adam Sandler and company clearly having a good time, Happy Gilmore 2 thwacks hard with nostalgia when it should’ve putted but will still put fans of the original back in their happy place.
Synopsis: Happy Gilmore was at the top of his game — until a stroke of bad luck changed everything. Can golf’s
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#15
(2022)
63%
14%
Critics Consensus: No consensus yet.
Synopsis: A young American journalist stranded in present-day Nicaragua (Margaret Qualley) falls for an enigmatic Englishman (Joe Alwyn) who seems like
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#16
(2019)
62%
48%
Critics Consensus: Native Son‘s struggles with its problematic source material are uneven but overall compelling, thanks largely to Ashton Sanders’ poised work in the central role.
Synopsis: A young African-American living in Chicago enters into a seductive new world of money and power after becoming a chauffeur
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#17
(2019)
54%
83%
Critics Consensus: No consensus yet.
Synopsis: A woman tells her deceased boyfriend’s family that she is pregnant.
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#18
(2025)
46%
Critics Consensus: Disparate parts and desperate measures spell defeat for Ethan Coen this time around in a romp that tries to cast a wide net but will ultimately leave audiences saying, Honey Don’t.
Synopsis: Honey Don’t! is a dark comedy about Honey O’Donahue, a small-town private investigator, who delves into a series of strange
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#19
(2018)
39%
30%
Critics Consensus: Donnybrook has a solid cast and noble intentions, but they’re overwhelmed by surface storytelling and unrelentingly grim violence.
Synopsis: A former U.S. Marine trains to compete in a vicious bare-knuckle fight where the winner gets a $100,000 prize.
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#20
(2019)
36%
50%
Critics Consensus: Seberg‘s frustratingly superficial treatment of a fascinating true story does a disservice to its subject — and Kristen Stewart’s performance in the central role.
Synopsis: In the late 1960s, French new wave actress and Breathless star Jean Seberg becomes the target of the FBI due
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#21
(2017)
36%
23%
Critics Consensus: Death Note benefits from director Adam Wingard’s distinctive eye and a talented cast, but they aren’t enough to overcome a fatally overcrowded canvas.
Synopsis: A high school student discovers a supernatural notebook that has deadly powers. He can kill anyone he wishes simply by
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#22
(2019)
33%
19%
Critics Consensus: IO has some big ideas but little idea of how to effectively convey them, leaving viewers with a sci-fi drama whose attractive packaging can’t cover its enervating core.
Synopsis: In a post-apocalyptic time, Earth has been rendered toxic, and most of humanity has abandoned the planet and colonized one
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#23
(2017)
12%
77%
Critics Consensus: There’s no mystery here: The Vanishing of Sydney Hall may be nicely shot, but it is ultimately vapid and forgettable.
Synopsis: An enigmatic detective embarks on a cross-country search for a once-prominent author who’s mysteriously disappeared after a string of dangerous
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